India

The Modern Story Ventures South!

Happy New Year from Tamil Nadu! While Ilana headed north over the holidays I traveled west to Mumbai and then south to visit an another education organization, Communities Rising. CR runs after-school programs in villages of Tamil Nadu’s Villupuram district. They work especially with Dalit children, and tonight I had the great opportunity to hear a presentation by a Dalit priest and lobbyist. I listened eagerly and asked many questions, as caste discrimination is an issue that hasn’t come up easily in conversations in Andhra Pradesh. I’ve wanted to learn more about the topic but wasn’t sure how to approach it, so that is party of why I came to visit CR.

While I’m here I’ve also been holding video workshops with some of CR’s great college students who volunteer in the after-school program. One of those students, Agni, has already completed editing a project in which he talks about CR’s work and his experiences with the organization. Check it out!

Fire at Communities Rising from The Modern Story on Vimeo.


“How to Draw” and other mini-projects by APRS boys

In early December our APRS class worked on a documentary about food at their school and the right to food in India. We’ll show you the finished project in January. While part of the class focused on editing their work in Final Cut Express under Ilana’s guidance, I encouraged some of the others to practice the stop-motion animations we had learned earlier in the semester. Since it had previously been difficult for them to understand that they should only move their drawings small amounts with each frame, this time I tried the method of animation with chalk drawings. The boys set up the tripod, and I demonstrated by drawing a cloud, taking a photo, drawing a raindrop, taking another photo, drawing another raindrop, and repeating. Art lovers that they are, they took my simple example and elaborated with more clever ones. The first series demonstrates their talents with letters and calligraphy:

APRS Letters and Calligraphy from The Modern Story on Vimeo.

The second series is a set of “how-to” drawings:

APRS Drawing Lessons from The Modern Story on Vimeo.

Additionally, some of the students who only joined the class recently took this time to practice making video slide shows. The boys love Windows Movie Maker’s array of transition and video effects, as you’ll see in Saleem’s project below. The photos are from a day when they practiced filming scenes from their favorite films. Thanks for watching!

APRS Video Production from The Modern Story on Vimeo.


Works in Progress: Sultan Bazaar

It’s hard to believe Ilana and I have already had six classes at our Sultan Bazaar workshop! The teachers and students have made quick progress. Last week they completed storyboards, production plans and scripts.

Sultan Bazaar Government Girls School

Class storyboard practice (Photo by Kara)

Sultan Bazaar Government Girls School

The natural resources group hashes out a production plan based on their storyboard (Photo by Kara)

After two 1.5-hour production sessions this week, the groups are nearly finished filming and photographing for their curriculum-based multimedia projects. This workshop is operating on a low-budget model using two Canon Powershot cameras, one Flip HD video camera, and a tripod. Below are some highlighted photos by each of the groups. Click on the project title to view the rest of their photos in TMS’s Flickr photostream.

Cotton

Cotton Plant

Cotton Plant

Sari Shop

Triangles

Visualizing Triangles

Visualizing Triangles

Visualizing Triangles

Natural Resources

Natural Resources

Natural Resources

Natural Resources

Now that they have their project content, it’s time to teach editing skills. We’ll use Windows Live Movie Maker in the Digital Equalizer computer lab that AIF installed at the school. I’ve already been impressed with the girls adeptness at uploading photos and video, so I have high hopes for the strength of their final projects!


Meghana’s Dream

When I ask the typical question, “what do you want to be when you grow up” to my TMS students or other kids I meet in Hyderabad, the most common answer is software engineer. It makes me wonder what the answers were before the IT boom hit Hyderabad. Below I’m posting a homework assignment by one of my students, Meghana. The prompt was, “Think of one thing you are good at. Imagine that for one day you are the best in the world at that thing. Write about your day!” I’m surprised how sometimes we give short directions and the students totally get it, while other times, we try to give lots of direction and it’s confusing. Meghana’s response is not specific to one day but she does give many other clear details about her future goals. Though it’s not a digital story yet–it’s leading up to a project Ilana and I are calling “About Me & Super Me”–it is a modern story in its reflection Hyderabadi youths’ goals, as well as economic and societal expectations.

As some of my students like to write at the beginning of their assignments, please read and enjoy the story:

Meghana, Railway Girls High School

I think one day that i became a good worker in one good company as software engineer. I have to do good work in America. After some day’s and i come to India, first i see my parents. they should feel very happy. I buy one ‘car’ and my parent’s, my grandmother and my sister should go in that car. It is my dream. I should think I the best in the world and my aim. I will do that aim. On that time my parent’s feel very happy. I shall thank parent’s and my teacher. I shall thank to my project work teacher’s also. Again I should built one house. This is my ‘dream.’


A Very Belated Eid Mubarak

We’re back! Ilana and I have resumed classes at APRS boys’ school in Nalgonda, after an extended break for Ramzan and exams. We spent the past three days there, and after a one-day break we’ll be heading there again for the weekend. To introduce the photo slideshow project (see the photos from the first stage on Flickr) Ilana brought her Vizag and Vijayawada slideshows to share with the boys, and I created one of images of Islam around the world. A few of the photos came from my own collection from Palestine and Jordan, while the rest I found online, such as these photos from Ramadan in Sudan and Turkey:

-Tamboor-

Photo by Vit Hassan, taken in Northern Sudan

-Ramadan-

Photo by Vit Hassan, taken in Northern Sudan

Sultanahmet - Iftar 01

Photo by Erik N., taken in Istanbul

The boys were especially excited to see photos of Saudi Arabia, being the site of two holiest cities in Islam, Mecca and Medina. But they were surprised by the range of other countries I showed pictures from, as they searched our class globe for Singapore, Argentina, and the United States.

That evening for homework each member of the class wrote a description of how they celebrate Ramzan (or Ramadan) here in India. Although Ilana and I were around to taste haleem (well, Ilana did anyway–I’m vegetarian), talk to people about the experience of fasting, and even take advantage of some holiday sales, what better way to introduce the full experience than with the writings of our boys? We were quite pleased with the detail of their descriptions, and we hope you enjoy and learn from them!

Bari

Bari

Our Ramzan.

By Bari

We are Muslims. In the ramzan Muslims will be Raza! Raza means we are not eat food and drinking water with 5 am to 6:30 pm. We  eat food at 5 am that is (saher) and to Namaz to pray and read Quran. 6:30 pm in the raza we will do IFTAR. Iftar means we will eat (khajoor) means dates and some fruits this is called IFTAR.

Quran is our holy book. Its come to Ramaz month. It is the gift of God. We will give respect to Quran. We will leave Raza on 30 days. After 30 days we will do one festival that festival name is EID-UL-FITUR means we will go to EID-GHA and pray the Namaz. This namaz is read at 7:30 am. Namaz is over we will give to shake hand and hugging and say each other (EID MUBARAK) we will go to our home and eat food and drink sheer korma. Sheer korma is very famous in ramazan. Sheer koroma means the milk and shewiya means like a (magi, noodles) we will got our relatives house and we will do salam and say EID Mubarak. This is called our Ramazan festival.

Siraj

Siraj

Eid-ul-Fitr, My story

By Siraj

Ramzan Festival

I will wake up on the festival at 5:00 am and go to brought the milk for Sewiyah. I brought 15 litres of milk for the Sewiyah. After that I will take a bath a have fresh. And wear the new clothes. We take the Itar (spray) on the new clothes. It was scent like a spray. After we will go to the (Eid-gah) the big mosque for the prayer. After the prayer we will back to home.

There was a my favourite and special sweet of the (Eid) festival was Sewiyah. I take one cup and drink it. My mom was cooking the Sewiyah very special. In the ramzan the Sewiyah was very special. After the drinking sewiyah we eat food of chicken biryani and curd. After we will go to meet the relatives. We shake hands and say (EID MUBARAK) to each other. After we meet our friends and enjoy. We will take (Eidi). The EIDI the gift to the childrens the relatives and parents gives. My father give me 150 rupees of (EIDI). We will enjoy the lot of the ice-creams, cakes, and burgur. After the enjoying I will get back home and eat the chicken biryani and go to the sleep.


Elephants & Ants!

With the Railway school’s TMS classes on hold as the girls sit their quarterly exams, Ilana and I have a chance to catch everyone up on what’s been happening in our classrooms lately. At Railway we teach separate classes with 16 girls each. We plan our lessons together, which allows us to give each other feedback on which elements worked and which didn’t.

In our first few weeks we focused on introducing digital photography. After our basic lessons using diagrams (on/off button, lens, shutter, display, etc.) and group camera practice we introduced the idea of framing–“what you include or exclude from the picture.” We gave each girl a paper frame and took them on a walk around the courtyard. As they held up their frame to imagine what they shots they would take they started to understand that they have the power to decide what’s inside the frame.

IMG_0610

Lalitha, Jayashree, Krishna Veni (8th year students in Kara's class)

Explaining “composition” and “perspective” the next day proved to be a bit more difficult. We’ve learned from more recent lessons that the girls understand definitions and also homework instructions much better if we print them out. Railway is an English-medium school, but our American accents are difficult to keep up with!

Additionally, the girls had some difficulty imagining that the elements they were including in their pictures could be arranged in different ways. We didn’t want to leave them confused but also wanted to keep class proceeding to new activities and concepts, so Ilana and I came up with an exaggerated example for the girls to practice and wrap-up composition and perspective in the next class.

We divided each of our girls into small groups, each of which had a camera and a task: take photos of things around the schoolyard…as an elephant or an ant. Half the girls had to look through the lens as if they were tiny crawlers and half as if they were galumphing beasts. Some of the results are below, and you can check out more photos in the Elephants & Ants set on our Flickr page!

Ant's Perspective

A new vANTage point

Ant's Perspective

Another ant shot

Elephant's Perspective

Elephant!

Elephant's Perspective

Hello, elephant

The girls are also making great progress with storytelling and expression (more on that in the coming days), but they are always eager for more time using the cameras!


Student Reflections: The Tailiban’s influence and religious conservatism in India’s Muslim communities

The following is an essay by Humera Anjum, 13 years old of IX Standard Class, Railways Girls High School Lallaguda. I was so impressed by her submission for an on-line contest that I wanted to post it here.

Minaret punctuating Hyderabad's skyline

In olden days some people use to say that women should not study and they should not work out of their homes. In Muslim religion people use to say women have to be in burkha if they come in front of any people. In villages, people want a boy not a girl because they say boys have to take care of their property. And they love the boy. If a girl is born they will kill the girl because they cannot bear the expenditure of dowry for a girl.

Nowadays governments like the Taliban are pressuring Muslim communities elsewhere to prevent girls from studying past 4th class. Also, these girls are facing severe hardship under the rules, customs and traditions of her community. Today even if we are in the 21st century many people are following some superstitious and unscientific customs as religion becomes more important in politics like child marriage, dowry deaths and sati- where women throw themselves on the funeral pyres of their husbands.

As a result, in India many Muslim females are discriminated against before they are born. In our culture a girl is not valued as much as a boy. Among girls the drop-out rates are much higher, particularly among the scheduled castes and scheduled tribes, girls in rural areas and from poorer families. In rural areas only 9 percent of girls enrolled in class  reach class 10.

Also as a result, most of the women are engaged in household or domestic work. This consists of a vital but grossly undervalued type of economic activity. Domestic work does not qualify as productive activity as per the census of India’s definition. ‘Working women’ as per the census definition are those who work outside the households. Women do most of the household’s unpaid work e.g. cooking, collection of fuel, fodder and water, looking after children and animals, gardening, food processing, sewing and weaving etc. Yet they are not regarded as ‘working women.’ More than 90 percent of women workers are engaged in unorganized and informal sectors. When religious governments prevent women from gaining education it is difficult to work in anything but the informal sector.

So social evils more easily oppress women working in informal sectors. For example, these are the women first to face early marriage. Early marriage is a social curse against women. It is done to  keep families within certain religious and economic affiliations. With early marriages the troubles begin for the girls as these girls are not mature enough to shoulder the responsibility of families and motherhood. The Marriages Restraint Act lays down the minimum age of marriage for girl at 18.

For another example, the practice of giving and taking dowry has become a menace in India. Dowry means the money, goods and property demanded from a bride’s side as a condition for marriage by the groom’s side. You might have heard in your neighborhood and in your home people cruelly calculating and negotiating dowry amounts. In 1961 the Dowry Prohibition Act was passed. Dowry is a crime against women and society. Men and women should raise their voice against Dowry. The youth should take a vow to go for Dowry-less marriages. Economic independence for women is very important. Whatever little equality and freedom the working class woman enjoys must be due to their economic freedom, education and employment as only this will make women somewhat independent. I believe this to be even more true as governments like the Taliban pressure families to prevent women from gaining education and independence.

So, briefly, even today the girl is not given the respect, the freedom, and the position which a boy is given under the traditions of community. These community traditions are exaggerated by customs of religion in politics.


Spoken Word Poetry. Our girls deliver!

The Modern Story students at the Railway Girls School have been busy with the creative aspects of their film. As a teacher in this program, I wanted to ensure that the girls voices’ and stories are given ample time for growth and expression. As digital video curriculum programs elsewhere acknowledge, the largest amount of time spent for a video project should be on the creative aspects. Our girls can write. Their humor, strength and absolutely adorable mischief shows through in their first set of spoken word poems dealing with women empowerment.

We will soon be facing the giant challenge of tackling limited working computers, viruses, power outages, and short class time precluding sufficient post production editing. However, with these strong poems and beautiful videos I am confident that The Modern Story is already succeeding in bringing these girls’ voices to the fore of their community as they reflect on local issues that are felt across the globe. This has been an immensely rewarding experience so far and I hope others get to share in the project’s goals and activities in the future.

Check out the video below.

[youtube=http://www.youtube.com/watch?v=dVoDLTlzkwU]

Also, for those interested, friends of ours at The Cairo Human Rights Film Festival, run by Dalia Ziada are about to launch their exciting series of events. Check them out if you are in the area: http://www.cairofilm.org/

28
Oct

Islam and India: Student writings on world faiths and recent floods

Mosque

The boys pose in front of their mosque nearest their boarding school

I asked the students to write about a special memory they had. Munna, a student whose group project was on religion, misinterpreted the assignment and wrote to me: Religion is like memory (for) anyone who cannot see with his eyes, he sees with his mind.

Temple

A temple near The Modern Story's fellows' apartment in Abids

When asked, ‘If there was one thing you would change about the world,’ Krrish responded: I would convert the whole world to Islam. I asked him what he would do if he met someone who believed in a different religion and did not want to be converted. He said, ‘I would respect him. But I would tell him how he was living was wrong.’ In response, Krrish will be exploring how the diversity of religions in India relates to him by working on fictional conversations, a dialogue, that he would imagine to take place between himself and people of different faiths that he meets. His responses reminded me a lot of the delicate discussions I took part in with World Faith in Lebanon following the 2006 war. Arbani, an energetic small 9th grader, will be exploring religion through a graphic novel he is working on. He is a visually oriented student who cannot wait to draw and is always sketching something in his notebook. He will be exploring religious tensions in his community, Hyderabad, and India through a series of illustrated stories that I hope to be posting soon.

Near APRS Boys boarding school in Nalgonda outside Hyderabad, India

A Hindu temple near the Muslim APRS Boys school

Another student, Khasim, wrote a poem about the afternoon sunlight near the mosque where he prays:

Afternoon comes
it goes
to the river to ride on buffaloes
to the big animals
and enjoys them all
This way the afternoon, like a crow, enjoys the whole day.

Both religion and issues related to health including dengue, malaria and the recent floods seem to be issues that concern the students on a daily basis. Nadeem, for example, wrote about those Indians that have had to deal with the heavy rains this summer:

Mud in our homes
Mud in our beds
Mud in our bones
Where do we eat.
Where do we sleep.

Sajjid, a student that has a lot of experience with cameras and has been patiently waiting his turn to show his skills, wrote the following about the floods in Andhra Pasha.

There is a man
in the water
in the (midst) of his poverty
floating on the flood
There is a man
by the water
eating all the money.

Osmania Hospital in Hyderabad, India

One theme students will be exploring this semester is health. This is a photo of one of Hyderabad's most famous hospitals: Osmania

Arshan had one of the most poignant insights into the crossroads between religion and the floods in Andhra Pasha in his letter to the Chief Minister:

“Look at how the people are before the flood. Look at how they collect money to help. People go to the Mosque, the Temple, the Church and they all come away with money to give to people of the flood.”


2009/2010 Fellowship Application is now OPEN!

We are pleased to announce that the 2009/2010 Fellowship Application is now open and accepting applications.  Please read through the Fellowship page for more details and submit your application online today!  We look forward to hearing from you, and if you have any questions, please forward them to:  themodernstory@gmail.com

offerings, boy's school intro 003, India Gate, IMG_0222