Classroom News
2
Jul

Clear, Confident, Quiet

“Dear Teachers,
We all are thinking that we are the luckiest girls in the world because we are learning about TMS and we are very very interested in TMS class and by this TMS we are also enjoying.

Thanking you,

From your student,

N. Soniya”

I would like to open by recreating a small moment that passed between a student and I the other day, that somehow struck me straight into the heart. It was after class on Saturday. Two of the more outspoken students, pictured above, were lingering in the courtyard before riding their bicycles home for the weekend. One of the girls approached me with a bit of apprehension, and I could sense there was something she wanted to say.

“Yes?” I asked.

“Kelly teacher, we have a question”

“What is it?”

The girls giggle and say nevermind, but I provoke them to speak what is on their mind and not to be afraid, as with the rules of TMS class.

“Kelly teacher, why are you white?” she pauses. “I mean, why are you different than Indian people?”

I was shocked by the frankness of the question, and the caution with which it left her mouth, unsure whether it was acceptable to bring awareness to the difference in our skin colors. I was happy that she gave me this opportunity to reiterate our unity in diversity, and that we are all sisters and are the same inside even though we may appear different externally. I was reminded by her courage that these girls are not to be underestimated and that it is a privilege to facilitate their ability to verbalize their experience.

We concluded our first week and initiated the second at Railway School with an introduction to the concept of voiceover and learning the technical skills necessary to make a successful voiceover recording. We emphasized the importance of a clear, confident and proud voice. The girls read from a ‘script’ that they had written for homework describing their favorite object at home. These objects ranged from bangals to dolls, rings to idols. The students expressed such an excitement to share these pieces of their lives with us, and many brought their objects to class even though this was not requested of them. Even days after the original assignment had passed, and we had moved on from lessons involving the object script, students were filtering into class, greeting us with timid smiles behind their precious objects. The girls are loosening up and the classroom has been filled with a buzzing anxious energy to learn and soak in everything all at once. I was impressed with the improvements made in the voiceovers from our first lesson to the second – and pleased and encouraged by the ability to see that progress is being made.

This video was made to show the girls in class using recordings that they made of each other on the first class dedicated to voiceovers. We tried to draw attention to the background noise so the girls would recognize the importance of being quiet and listening to one another – as well as the need to articulate themselves slowly and confidently.

The girls, excited to hear their voices come from the computer, seem to be making the connections between the classroom activities and their ability to share ideas and opinions about their individuality, culture and community. There is a sincere interest in improving, and by the second day it was inspiring to see the girls work together to make the voiceovers more successful – encouraging each other with gesture to speak loudly and taking on the role of directors themselves. The video below shows this improvement and was also shown to the girls in class to thank them for their hard work.

I noticed a transformation in their camera presence when asked to talk freely about their families as opposed to reading from a script. I am inspired by the potential of these girls to open up when we discover the topics that they are passionate to share with the global audience. The difference in their attitude when asked about their family (as in the video above) or their favorite festival, in another classroom exercise, alleviated my fears of dependence on the security of the script in the future.

So excited to see what surprises these girls have in store.

24
Jun

Railway Potential

Potential: The first word that comes to mind after a week of teaching Railway Class 8A. The girls have strong personalities, a willingness to learn and seemingly endless excitement. Perhaps even more importantly, our classes have already seen hints of the girls’ creativity come into play. This combination could lead to truly remarkable outcomes from the semester.  As the three of us navigate the newness of living and teaching in India, it occurred to me that these girls are simultaneously starting on their own journeys of discovery. We will both be faced with many challenges. As fellows, we seek to find ways to fall into step with the rhythm of Hyderabad and to develop our voices as teachers. At the same time, I especially hope that we can help the girls build their own sense of belonging in the digital world.

Our first three classes introduced photographs as sources of stories, the concept of matching words with pictures and the difference between subtitles and voiceovers. We integrated drawing exercises into each class. One girl drew Kelly and me in India:

Kelly and Dana in India

We appear to be saluting the Indian flag. This topic was not the assignment (we had asked them to draw a visual interpretation of a letter they had written for homework), but the drawing conjured all kinds of emotions in me. I was touched that Devipriya wanted to draw us and pleased that she gave us bindis and smiles. Mostly, I was curious about the salute. Is she hoping that we will come to love India? In a strange way, the drawing gave me a strong sense of humility. I’m so thankful to have a hand in contributing to the global education of these students. The next several months will be spent working to live up to both the legacy of past fellows and the sense of obligation to the students—who truly deserve a chance to raise their voices.

24
Jun

Kelly’s Railway Reflections

After one week in moderately hot and sporadically humid Hyderabad- Dana, Emily and I have finished with the formal introductions – to students, teachers, commute routes, and culture. We have been left with the template of characters and stages that will be the basis of the story we tell over the next six months as teaching fellows with the Modern Story. On a personal note, I am surprised at how familiar the idiosyncrasies of India feel to me this time around – from the traffic exemplifying the potential for order in chaos, to the startling variety of human experience co-inhabiting the space of the streets. Wealthy, poor, Hindu, Muslim, Christian- boundaries between self and other broken- beckoning the foreign eyes to recognize the meaning of the Namaste greeting, an honoring of the place in each of us where we are the same.

We will be carrying out the Modern Story curriculum at a total of five government schools. Thus far, we have only begun classes at the Railway Girls School located in the Secunderabad area of Hyderabad, and will begin at the other 4 this coming week. All three fellows teach at Railway School, and then the tasks are divided up between the remaining four- with Dana and Emily co-teaching at two, and myself teaching at another two, called Sultaan Bazar and MGM. Initially I was struck with the distinct personality each of these schools had, and impressed with the quality of the computer labs that the students have access to. The greatest challenge I anticipate of our duties for the next six months is overcoming the language barriers, and finding a way for the students to actualize their creative potential despite the hurdles of communication. I enter this journey in a recognition that I must expect the unexpected, and that each school will present its own unique difficulties, but ultimately, and hopefully, through this will come a variety of voices in the media projects of the students.


Reading over the ‘script’ of our introductory videos with the girls of the Railway class.

We are blessed with the help of two inspiring teaching assistants at the Railway School, named Asma and Neha. Dana and I, co-teaching, work with Asma, while Emily works with Neha. I am struck by the calm maturity of Asma in the classroom and as an individual. The strength and determination I see in her rings to an age well beyond her young years, and I feel so fortunate for the opportunity to work alongside her. There is a strong network of support at the Railway School, and a dedicated interest in the program from the staff, that has been helpful in assuaging the anxieties of our first days. I am quickly growing fond of the students, and find myself needing to consciously keep the walls of student-teacher erect when I get swept by the instinct to just befriend the wide-eyed and attentive group. I am hoping that we will be able to harness their energy and direct it through their passion in a specific topic to produce nice media projects together.

This week was spent introducing the students to the Modern Story curriculum and what is meant by digital storytelling. We set rules for the class, reminding us to respect each other, listen to each other, and to not be afraid to share our own voices. We are orienting towards two goals, the technical product aspect of the digital component – technological literacy, camera, and writing skills – as well as the empowerment that comes through the process of creativity. We began with the questions of ‘What is a Story?’ and encouraging the students to recognize that everyone is a storyteller and they, themselves, are the lead character of their own individual, unique stories. The following is a slideshow of the student’s drawings done in a classroom exercise to practice connecting words with images. I am interested in the study of religion, so it grabbed my attention when many of the students responded that the first thing they do when they wake up in the morning is pray to God, or the first thing they see is nature. The religious diversity of Hyderabad is dramatically visible, and I am wondering if there is potential for exploring the topic of religion more closely throughout our time together.

‘When I wake up in the morning, I always…’

As the sun sets on Sunday and thus the weekend,the three of us are anxious to see what the next week has in store for us. The journey continues…

Until next time,
Kelly


Works in Progress: Sultan Bazaar

It’s hard to believe Ilana and I have already had six classes at our Sultan Bazaar workshop! The teachers and students have made quick progress. Last week they completed storyboards, production plans and scripts.

Sultan Bazaar Government Girls School

Class storyboard practice (Photo by Kara)

Sultan Bazaar Government Girls School

The natural resources group hashes out a production plan based on their storyboard (Photo by Kara)

After two 1.5-hour production sessions this week, the groups are nearly finished filming and photographing for their curriculum-based multimedia projects. This workshop is operating on a low-budget model using two Canon Powershot cameras, one Flip HD video camera, and a tripod. Below are some highlighted photos by each of the groups. Click on the project title to view the rest of their photos in TMS’s Flickr photostream.

Cotton

Cotton Plant

Cotton Plant

Sari Shop

Triangles

Visualizing Triangles

Visualizing Triangles

Visualizing Triangles

Natural Resources

Natural Resources

Natural Resources

Natural Resources

Now that they have their project content, it’s time to teach editing skills. We’ll use Windows Live Movie Maker in the Digital Equalizer computer lab that AIF installed at the school. I’ve already been impressed with the girls adeptness at uploading photos and video, so I have high hopes for the strength of their final projects!


A Very Belated Eid Mubarak

We’re back! Ilana and I have resumed classes at APRS boys’ school in Nalgonda, after an extended break for Ramzan and exams. We spent the past three days there, and after a one-day break we’ll be heading there again for the weekend. To introduce the photo slideshow project (see the photos from the first stage on Flickr) Ilana brought her Vizag and Vijayawada slideshows to share with the boys, and I created one of images of Islam around the world. A few of the photos came from my own collection from Palestine and Jordan, while the rest I found online, such as these photos from Ramadan in Sudan and Turkey:

-Tamboor-

Photo by Vit Hassan, taken in Northern Sudan

-Ramadan-

Photo by Vit Hassan, taken in Northern Sudan

Sultanahmet - Iftar 01

Photo by Erik N., taken in Istanbul

The boys were especially excited to see photos of Saudi Arabia, being the site of two holiest cities in Islam, Mecca and Medina. But they were surprised by the range of other countries I showed pictures from, as they searched our class globe for Singapore, Argentina, and the United States.

That evening for homework each member of the class wrote a description of how they celebrate Ramzan (or Ramadan) here in India. Although Ilana and I were around to taste haleem (well, Ilana did anyway–I’m vegetarian), talk to people about the experience of fasting, and even take advantage of some holiday sales, what better way to introduce the full experience than with the writings of our boys? We were quite pleased with the detail of their descriptions, and we hope you enjoy and learn from them!

Bari

Bari

Our Ramzan.

By Bari

We are Muslims. In the ramzan Muslims will be Raza! Raza means we are not eat food and drinking water with 5 am to 6:30 pm. We  eat food at 5 am that is (saher) and to Namaz to pray and read Quran. 6:30 pm in the raza we will do IFTAR. Iftar means we will eat (khajoor) means dates and some fruits this is called IFTAR.

Quran is our holy book. Its come to Ramaz month. It is the gift of God. We will give respect to Quran. We will leave Raza on 30 days. After 30 days we will do one festival that festival name is EID-UL-FITUR means we will go to EID-GHA and pray the Namaz. This namaz is read at 7:30 am. Namaz is over we will give to shake hand and hugging and say each other (EID MUBARAK) we will go to our home and eat food and drink sheer korma. Sheer korma is very famous in ramazan. Sheer koroma means the milk and shewiya means like a (magi, noodles) we will got our relatives house and we will do salam and say EID Mubarak. This is called our Ramazan festival.

Siraj

Siraj

Eid-ul-Fitr, My story

By Siraj

Ramzan Festival

I will wake up on the festival at 5:00 am and go to brought the milk for Sewiyah. I brought 15 litres of milk for the Sewiyah. After that I will take a bath a have fresh. And wear the new clothes. We take the Itar (spray) on the new clothes. It was scent like a spray. After we will go to the (Eid-gah) the big mosque for the prayer. After the prayer we will back to home.

There was a my favourite and special sweet of the (Eid) festival was Sewiyah. I take one cup and drink it. My mom was cooking the Sewiyah very special. In the ramzan the Sewiyah was very special. After the drinking sewiyah we eat food of chicken biryani and curd. After we will go to meet the relatives. We shake hands and say (EID MUBARAK) to each other. After we meet our friends and enjoy. We will take (Eidi). The EIDI the gift to the childrens the relatives and parents gives. My father give me 150 rupees of (EIDI). We will enjoy the lot of the ice-creams, cakes, and burgur. After the enjoying I will get back home and eat the chicken biryani and go to the sleep.


Elephants & Ants!

With the Railway school’s TMS classes on hold as the girls sit their quarterly exams, Ilana and I have a chance to catch everyone up on what’s been happening in our classrooms lately. At Railway we teach separate classes with 16 girls each. We plan our lessons together, which allows us to give each other feedback on which elements worked and which didn’t.

In our first few weeks we focused on introducing digital photography. After our basic lessons using diagrams (on/off button, lens, shutter, display, etc.) and group camera practice we introduced the idea of framing–“what you include or exclude from the picture.” We gave each girl a paper frame and took them on a walk around the courtyard. As they held up their frame to imagine what they shots they would take they started to understand that they have the power to decide what’s inside the frame.

IMG_0610

Lalitha, Jayashree, Krishna Veni (8th year students in Kara's class)

Explaining “composition” and “perspective” the next day proved to be a bit more difficult. We’ve learned from more recent lessons that the girls understand definitions and also homework instructions much better if we print them out. Railway is an English-medium school, but our American accents are difficult to keep up with!

Additionally, the girls had some difficulty imagining that the elements they were including in their pictures could be arranged in different ways. We didn’t want to leave them confused but also wanted to keep class proceeding to new activities and concepts, so Ilana and I came up with an exaggerated example for the girls to practice and wrap-up composition and perspective in the next class.

We divided each of our girls into small groups, each of which had a camera and a task: take photos of things around the schoolyard…as an elephant or an ant. Half the girls had to look through the lens as if they were tiny crawlers and half as if they were galumphing beasts. Some of the results are below, and you can check out more photos in the Elephants & Ants set on our Flickr page!

Ant's Perspective

A new vANTage point

Ant's Perspective

Another ant shot

Elephant's Perspective

Elephant!

Elephant's Perspective

Hello, elephant

The girls are also making great progress with storytelling and expression (more on that in the coming days), but they are always eager for more time using the cameras!


Michael Jackson in the Classroom

Last week in order to learn more about our students and foreshadow an upcoming autobiography assignment, Ilana and I asked the girls at Railway to write “the story of me” for homework. In this family-oriented culture, it’s no surprise that most of my students began their compositions by listing the names, ages, and careers of their father, mother and siblings. To that they may have added a few of their own hobbies or favorite foods, but not much more. We’ll get there eventually. One of my students, Sandhya, did go further in describing her own outlook, passions, and dreams. For example, she wrote, “My aim is to become a great dancer for example we know: Mickel Jackson is one of the great dancer but he died and he is in heart of all dancers.

IMG_0623

student photography: Sandhya

As I paged through the rest of Sanhya’s notebook I discovered that I hadn’t read her first composition because she’d been absent the day the other students turned it in. The assignment had been to write a story or write your favorite story in your own words. Many students wrote a moral tale, but again Sandhya had broken the mold. She wrote a delightfully imaginative piece about her life as a dancer, which I am posting here:

Once upon a time, one girl who’s name is A. Sandhya. She was very good at dance. She always thinks about her dance and she always be in her dance. One day she wrote exam in M.A. dance. After a few days later her exam results came. She passed in first class in the exam. The other day she was going to take a certificate from the great dancer Mickel Jackson. So everybody in her family felt very happy. Even her friends Preethi, Sara, Shafia and other friends heard this news and came to Sandhya to give her good wishes and it became morning. Now the time is 8:30 AM. At 10 AM she is going to take the certificate. She is going on her bike and suddenly she had an accident with a lorry and she died.

The day I stop loving the dance is the day I closing my eyes forever.

Your sweet A. Sandhya

Keep

Smiling

The day after I read Sandhya’s story, Ilana and I arrived at Railway to discover one of our classrooms taken over by dance auditions for the upcoming Teachers’ Day celebration. We relocated to the main computer lab and held a joint class wherein we asked the girls to share their thoughts on the word “power.” Some of the responses included, “energy, strength, knowledge, tigers, and CM (chief minister).” When I asked the question, “Does anyone in this room have power?” most of the girls giggled. Some said “No” while a few, perhaps recognizing my question as a leading one, shouted, “Yes!” The next question came from Ilana: “What kind of things do you have the power to do?

Dance,” Divya, one of Ilana’s students, called out. I guess I shouldn’t have been surprised, but I was—pleasantly so. The response allowed us to draw out ideas about power with much more relatable concepts for the girls than examples that come from our own cultural perspective. In recent classes at Railway we’ve been doing camera practice while encouraging creative composition and framing. Because the girls are so new to using cameras, at times these concepts have been difficult to explain. Next week when we delve further into how stories are constructed we will draw on the lesson we as teachers learned about the students’ connection to dance: One of the homework assignments we’ll give will be to create a short dance that tells a story involving elements such as a main character, conflict, and resolution. We’ll be sure to photograph or film some of the results, so check back soon to see how Sandhya and others live up to their Michael Jackson dreams!