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Sultan Bazaar School Final Videos

Twenty-four hours and several Bollywood films after leaving Hyderabad, Ilana and I landed safely at JFK airport in New York City today. We still have lots to write about our final weeks in India, though, so you’ll keep hearing from us here. One important thing we have to share are our students’ wonderful final projects! The first batch comes from our pilot program at Sultan Bazaar Government Girls High School, in collaboration with the American India Foundation.

Our class at Sultan Bazaar involved small groups of teachers and students working together to learn digital technology skills and create multimedia projects that could enhance their learning/teaching experiences in regular curriculum subjects. As you will see in the videos below, this format proved to be an effective and accessible way to introduce such digital tools to participants unfamiliar with cameras or computers.

Ilana and I are excited to have been part of developing this model in TMS’s work and truly looking forward to see how TMS builds on our work in the next year. For now, enjoy this first series of curriculum-focused projects created by TMS students!

Cotton Project from The Modern Story on Vimeo.

 

Natural Resources Project from The Modern Story on Vimeo.

 

Triangle Project from The Modern Story on Vimeo.


Aliens, Fear, and a Goodbye Poem

Thursday afternoon I arrived at the Railway school feeling tired. Ilana and I had trekked to Nalgonda for the last time Wednesday before and Thursday morning held an unexpected session at Sultan Bazaar, after finding out at 9:30 am that Friday’s scheduled class would not be possible.

When we began the class, Ilana and Asma each had a group of 7 girls editing videos (two computers for thirty girls makes a “stations” approach necessary), while Neha and I took the rest of the students outside for more time using the video camera. At first they were going to interview some of the tenth class students. In recent weeks our girls have conducted several teacher interviews for their final project about choices and decision-making, as well as two fantastic interviews with Google staff members during our recent field trip. (Have you watched Monika’s interview on Vimeo yet??) But after the first interview Thursday I could tell that the eighth class girls needed a change of pace.

So Neha and I divided our students into groups of five and instructed them to create one-minute silent skits of the following scenario: they are in a village and an alien lands there. (Thank you to Mira Dabit, a Palestinian storyteller who shared this idea in my children’s art class in Nablus.)

Amidst giggles and a few “Really, no words??” responses, the girls set to work planning their dramas with little need for guidance. When they were ready, each group performed their skits for the others, with one or two girls filming. All three groups portrayed a scary creature arriving to break up a group of girls working or playing. The actresses reacted to the alien with fear and violence. Here’s an example:

Alien Landing! from The Modern Story on Vimeo.

After watching all of the performances, we applauded all the groups, and I asked the students to separate into their acting groups again.

“Okay!” I declared, “I want you to make a skit that starts the same way: you’re playing in a village, and an alien lands there. But this time, I want you to pretend that the alien is friendly. Show us what happens.”

Looking a bit more pensive but nevertheless full of ideas the girls got back to planning and rehearsing. Again the groups performed with students filming. Here’s the second skit from the same group as above:

The Friendly Alien from The Modern Story on Vimeo.

Coming together for a wrap-up, I asked the girls what emotions we saw in the two sets of scenes. For the first set, they identified happiness in the village, fear when the alien arrived, and anger directed toward the alien. In the latter scenes, the girls identified happiness, friendliness, sympathy, and sadness (when the alien left).

“That’s great,” I told them. “You demonstrated a wide range of feelings in your scenes. So now tell me something…Why are you afraid of aliens?!” The girls burst out laughing and shouted things about aliens being gross or mean or harmful. I asked if they knew any aliens. “In movies!” they replied.

“Sometimes things we don’t know are scary,” I said. “You didn’t know me six months ago…Were you afraid of our class?” Some of the girls ardently shook their heads, while others raised their hands with wide eyes, clearly recognizing the difference between how they felt in August and how they feel about TMS class now. I said something teacher-ish about how much we’d learned and shared with each other, and how even though some things we don’t know are scary, they can be really exciting, too. The girls were silent for a rare moment, looking at me with smiles.

After that we watched the videos they’d just shot and joined the rest of the students in the science lab, where some other girls recited a poem they’d written for me, Ilana, Asma, and Neha:

Railway Girls Goodbye Poem from The Modern Story on Vimeo.

As I listened to our students’ effusive goodbye, I reflected on my own feelings about our class, and how the lessons I really loved teaching were the ones where digital media skills were not the end goal, but the means through which we encouraged the girls to explore their world, to expand their imaginations, and importantly, to express themselves freely. The success we’ve had in those pursuits showed clearly to me during the alien skit exercise. When I left Railway Thursday afternoon I was no longer tired; I was inspired.


Final Videos from Communities Rising Workshops

Arriving back from Pongal break last week, Ilana and I jumped into a long task list in our final push to complete projects and classes. We took the Railway girls on a field trip to the Google office in Hi-Tec City and had our last class and celebration with the boy at APRS. The students at Railway and Sultan Bazaar have been working hard to finalize their videos, and we’ll have screenings and celebrations with them tomorrow and Monday.

Before all the Hyderabad hubbub, though, I completed TMS workshops at Communities Rising in Tamil Nadu, and also had a final screening and celebration there. I am proud of the projects the students created in such a short time frame, so this morning I’m taking a few minutes to share them here.

At Communities Rising I worked with three different sets of students. The first video was envisioned and produced by Siva, a participant in the staff workshop I conducted. Siva is a computer teacher at CR’s after-school program in Periathachoor village. The video addresses the issues of fear and corporal punishment in schools and will be used by CR as a tool for promoting positive disciplinary tactics. Siva made both an English and Tamil version of his project.

Fear (Bayam) from The Modern Story on Vimeo.

As Ilana and I have experienced in our other classes, having a committed local teacher involved with TMS activities exponentially improves our effectiveness as digital storytelling instructors, both because of translation and the ability for the youth involved to continue learning when our program ends. After his own training, Siva played a crucial role assisting me as I taught photography, video, and editing skills to two groups of children in the Periathachoor after-school program. All of the equipment and software we used belongs to CR, and I know that Siva will continue guiding his young students through creative video projects in the coming months.

In the two projects below I created lesson plans that focused on practicing English skills while learning digital technology. My goal was to provide a model for meeting two of CR’s educational objectives–they emphasize literacy, math, English and computer skills–in an engaging way.

The following video shows two of five emotion dramas performed and filmed by 6th through 8th class students.

Emotions from The Modern Story on Vimeo.

The next video focuses on the English alphabet. Fourth and fifth class students explored letters visually with the cameras and verbally by reading on film.

ABC Movie from The Modern Story on Vimeo.

Communities Rising’s college volunteers created the final three videos, in which they discuss their life experiences and perspectives on CR’s role in education for youth in rural India.

Fire at Communities Rising from The Modern Story on Vimeo.

An Engineer from a Village from The Modern Story on Vimeo.

Education at Communities Rising from The Modern Story on Vimeo.


Everybody wants to learn

The time Ilana and I have as TMS teaching fellows is coming to a close. Today I spent an hour in a Xerox shop printing TMS certificates of completion for our students. After reading the English text for a while, the adult man operating the shop computer highlighted the section that says “exceptionally trained in photography, filmmaking, video editing and computer multimedia software.” He told me, “This boy [pointing to the one behind the Xerox machine] knows all this.” I looked at the boy, assuming (naively) that he was about 18, since he was working a regular job. I’ve met other boys who did “digital printing” coursework in upper secondary school (11th and 12th grade), and I’d talked to this boy, Ramesh, a few times before when he was the only one in the shop. Like many youth I’ve met in such shops, he’s more adept with the technology than his elder superiors, who take charge of interactions with me when they’re around or not watching cricket on the shop television.

This time I asked Ramesh his age. 14. “Are you studying?” No. The man told me that Ramesh had failed his 10th standard exams. But you know all of these things” I said, indicating the computers and other equipment (Xerox shops do passport photos and other multimedia services). Now the man altered what he’d said earlier: Ramesh wants to learn photography, filmmaking, video editing and computer multimedia software. The man was asking me to teach the boy.

Throughout our experiences in Hyderabad, Andhra Pradesh and greater India, Ilana and I have been asked over and over again to share our digital media skills with the people–or the children of the people–that we meet. Today was yet another reminder of the uniqueness of the classes we teach as TMS fellows and the magnitude of students ready and eager to learn.


“I” is for India: An update from Tamil Nadu

While Ilana dealt with the uncertainties of AP’s Telangana situation, I’ve stayed on in Tamil Nadu to conduct TMS workshops at Communities Rising. Last week I worked with teachers from CR’s after-school program for village youth. They are creating a video that discourages the use of corporal punishment in education, which will become a teaching tool for CR staff trainings, as well as a great Tamil-language resource for other organizations. Expect to see a subtitled version in the next few days!

This week I am conducting two three-day workshops with 4th to 8th standard students in CR’s after-school programs. Inspired by the success Ilana and I have had in our curriculum-focused Sultan Bazaar classes, I’ve designed photo and video activities in which the kids reinforce their English lessons through learning multimedia skills. The teachers to whom I introduced digital storytelling last week are a great help in organizing these activities.

Today I held my first session with forty 4th and 5th standard students. After a quick name game with the younger crew, Siva–CR’s Periathachoor computer teacher–and I demonstrated how still cameras work. The 4th and 5th class students each practiced taking group shots, using TMS’s “3-S” tip of straight-steady-smooth. Then it was time for their break while the older bunch rolled in. Again Siva and I explained the parts of a digital camera and how it works, this time to twenty-five 6th to 8th standard students. We also demonstrated the use of a Flip video camera and tripod before they ended for and distribution of snacks and brand new Communities Rising backpacks. Tomorrow the older kids will get the chance to be more hands-on, but one particularly eager student, Androos, hung around and tested out the Flip camera after getting his goodies. The rest of them shook my hand at least seventeen times each (as Indian kids are wont to do) before heading out the gate.

The students gaze curiously into the lens as I explain how the shutter works.

Next the 4th and 5th graders returned for their second session, which is typically English class. We divided them into 3 groups, with one adult per group. I passed out pages showing alphabet letters to the groups, so that each group had eight or nine letters. They were supposed to go around the schoolyard, identifying and writing down things they saw that began with those letters. With the sun setting, this ambulatory activity descended into a bit of chaos, but by the time we reigned them in for closing, the groups had a list for almost every letter, and the kids were excited to take pictures of those objects tomorrow to create their own photo alphabet!

Group shot captured by one of the students during camera practice.


Andhra Pradesh on Edge: Waiting for the Srikrishna Report

As you may have read in recent headlines, the state of Andhra Pradesh has spent the last few weeks anxiously awaiting the release of the Srikrishna Committee on Telangana’s report.  The Srikrishna Committee was officially commissioned by the Government of Indian, on February 3rd, 2010, to look into whether  Telangana should be granted independent statehood, or if it should remain part of the current state body, Andhra Pradesh. This issue of division can be traced back to India’s Independence, when national  borders and state lines were being drawn, and the Andhra and Telangana regions were  fused to become what is now AP. For a more detailed explanation of the root of the current Telangana separatist movement, you can start here.The Srikrishna Committee report was originally scheduled to be released on December 31, 2010, but was delayed due to concerns that AP was not prepared to handle the potential fallout from the announcement, and rescheduled for release on January 6th. Thus, after police and paramilitary units have been deployed across the state, many Hyderabad now hunker down at home, avoiding public transport, and waiting for the afternoon’s news.

As is characteristic of separatist movements, the parties involved are extremely passionate about their respective cause, and each cause is, of course, more complex than it first appears. The push for a separate Telangana state is inextricably knotted into a plethora of social, economic, and political issues that exist within AP, and throughout India as a whole. At stake are government job and education “reservations” (a sort of affirmative action or quota system that is intended to promote the advancement of the disadvantaged, but often lands in the hands of politicians eager to offer slots to their own support base,) water access, centers of commerce, government funding, etc. The distinctive scent of xenophobia floats over the whole matter, each group – Telangana and Andhra – resenting the incursion of the other into their lives, eyeing each other suspiciously as potential job usurpers, and painting the “Other” as something horrid. This is slightly baffling to me, as many Andhras have lived in Hyderabad for generations, making them as much a part of the fabric of this community as any other group of people.

Many of the most vocal advocates for Telangana statehood are young, University-aged males, who find their rallying base at Osmania University in Hyderabad. Kara and I have spoken with a number of older teachers and neighbors – both Andhras and Telanganas – who feel that the main public figures and agitators – older men, who have been disgruntled about the union of Andhra and Telangana since it was first formed – are careless with their acerbic rhetoric, and use their public positions to incite the youth to violence. I certainly don’t know enough about the entire movement to declare any sort of judgement on the matter; however, as a pacifist and an advocate of mediated community dialogue in general, I simply cannot accept frequent small-scale riots, bus burnings, transportation disturbances, and city-wide bandhs, as well as all the collateral damage that comes along with them, as justified means of achieving the desired ends.

This morning, I received a hurried call from Neha, one of our teaching assistants at the Railway Girls School. She told me that she had been on her way to the school when her bus was blocked by a large groups of police and boys throwing stones. She realized that many bus routes were being shut down, but managed to find a bus that would take her back home. Unfortunately, that bus also encountered groups of agitators, and the passengers were forced to disembark and find autos to transport them home. While getting off the bus Neha was hit by one of the stones the boys were throwing, which cut her thumb. She’s confirmed that she’ll be fine, but to me, the violence and senseless injury it obviously causes, are upsetting. As you would expect, today’s TMS class at Railway was canceled.

I’m safely waiting things out in Abids, keeping an eye on my Google newsfeed and hoping that as in the case of the recent Ayodhya verdict, the actual reaction to the Srikrishna Committee report will be far calmer than that predicted by some in the media. We’ll know in a few hours.


The Railway School Chronicle

A few weeks ago, before the exams began and school was off for the winter break, Kara and I handed out a homework assignment aimed at helping our girls imagine what their lives might be like ten years from now. The worksheet was designed to look like the front page of a newspaper (in this case, the imaginary “Railway School Chronicle”), and dated “Thursday November 26th, 2020, with space for a Headline, a cover image, an image caption, and an article. We asked the girls to imagine themselves ten years from now, and to write an article about an accomplishment they’d achieved.

The students’ responses were incredibly creative and wonderful to read. The girls put a lot of effort into finding photos or making collages to match their stories, and their grand ambitions and dreams are evident in the articles they wrote about their future selves. Many of their imaginings are what you might consider the typical dreams of 13 year old girls around the world: surprise stardom, wealth, top athletic achievement, etc. However, if you consider that many of our students’ own mothers, older sisters, or Aunty’s are housewives, it is particularly heartening to see the girls’ desire for success shining through these stories. It is a large leap for some of the students to imagine a career that takes them beyond school and into adulthood – whether that career be in Bollywood, or on the Olympic field.

The class decided to use “Choices and Decision Making” as the theme for their final multimedia piece, and they are currently wrapping up a series of component projects that all touch upon this topic. I hope that by engaging the students in a variety of activities that catalyze creative and critical thought, we can help them explore the wonderful possibilities they can pursue in their future. It’s a well-worn phrase, but I believe it’s quite fitting: If you can perceive it, then you can achieve it!

Below are three students’ homework sheets – click each image to view a larger version on Flickr. To see more students’ “Railway School Chronicle” homework sheets, you can visit “The Railway School Chronicle” Homework Flickr album.

Sravani Kumari's Article (Front)

Sravani Kumari's Article (Back)

Preethi's Article (Front)

Preethi's Article (Back)

Sara's Article (Front)

Sara's Article (Back)


Storyboards Galore

We’re only three days into the New Year, and it’s already off to a great start!

As Kara has shown in previous posts, our classes at Sultan Bazaar have been proceeding wonderfully. After the first class, we divided the class into three groups, each comprised of four or five students, and one teacher. Each group worked together to brainstorm lesson topics for which they could create supplementary classroom multimedia. The three groups independently decided to focus on: Natural Resources, Cotton, and Triangles (the former two being used in natural science classes, and the latter in a maths class.)  With only a few more workshops to go, the students and teachers have been hard at work brainstorming, creating storyboards, writing production plans and scripts, and filming and photographing!

While each student and teacher made her own initial storyboard during the brainstorming process, each group collaborated to eventually choose one storyboard out of the five or six available. Below is a sampling of the wonderful storyboards that the students and teachers produced. Click each image for a closer look! The students’ drawings are great.

Cotton (Front)

Cotton (front)

Cotton (Back)

Cotton (back)

Minerals

Minerals (Natural Resources)

Badam (Front)

Badam (front)

Badam (Back)

Badam (back)

Triangles (Front)

Triangles (front)

Triangles (Back)

Triangles (back)


The Modern Story Ventures South!

Happy New Year from Tamil Nadu! While Ilana headed north over the holidays I traveled west to Mumbai and then south to visit an another education organization, Communities Rising. CR runs after-school programs in villages of Tamil Nadu’s Villupuram district. They work especially with Dalit children, and tonight I had the great opportunity to hear a presentation by a Dalit priest and lobbyist. I listened eagerly and asked many questions, as caste discrimination is an issue that hasn’t come up easily in conversations in Andhra Pradesh. I’ve wanted to learn more about the topic but wasn’t sure how to approach it, so that is party of why I came to visit CR.

While I’m here I’ve also been holding video workshops with some of CR’s great college students who volunteer in the after-school program. One of those students, Agni, has already completed editing a project in which he talks about CR’s work and his experiences with the organization. Check it out!

Fire at Communities Rising from The Modern Story on Vimeo.


“How to Draw” and other mini-projects by APRS boys

In early December our APRS class worked on a documentary about food at their school and the right to food in India. We’ll show you the finished project in January. While part of the class focused on editing their work in Final Cut Express under Ilana’s guidance, I encouraged some of the others to practice the stop-motion animations we had learned earlier in the semester. Since it had previously been difficult for them to understand that they should only move their drawings small amounts with each frame, this time I tried the method of animation with chalk drawings. The boys set up the tripod, and I demonstrated by drawing a cloud, taking a photo, drawing a raindrop, taking another photo, drawing another raindrop, and repeating. Art lovers that they are, they took my simple example and elaborated with more clever ones. The first series demonstrates their talents with letters and calligraphy:

APRS Letters and Calligraphy from The Modern Story on Vimeo.

The second series is a set of “how-to” drawings:

APRS Drawing Lessons from The Modern Story on Vimeo.

Additionally, some of the students who only joined the class recently took this time to practice making video slide shows. The boys love Windows Movie Maker’s array of transition and video effects, as you’ll see in Saleem’s project below. The photos are from a day when they practiced filming scenes from their favorite films. Thanks for watching!

APRS Video Production from The Modern Story on Vimeo.